CIHS – Centre for Integrated and Holistic Studies

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‘Drip-Drip Genocide’ of Religious Minorities in Pakistan

Arun Anand The movement for the creation of Pakistan out of the larger landmass of India was based on the (in)famous ‘two-nation theory’ that positioned Hindu and Muslim as two irreconcilable identities, and therefore, deserving separate homelands. Muhammad Ali Jinnah, the leader of the struggle for Pakistan, envisaged it as a Muslim-majority homeland but one that housed and treated equally other minorities as well. However, since the early days of the establishment of the new country, the tone was set when it declared itself as the Islamic Republic of Pakistan under the 1956 constitution, barring non-Muslims from becoming President or Prime Minister. The partition of the Indian subcontinent had wreaked grotesquely inhuman carnage, killing between 1 million to 2 million people and uprooting around 15 million people on both sides of the border. Ever since then the religious minorities in Pakistan such as Hindus, Christians, and Sikhs continued to face existential threats, shrinking demographically and politically. The onslaught confronted by religious minorities in Pakistan is reflected in the distressingly marginal increase in their population since the country conducted its first census in 1951. Religious minorities, which constituted only 3.12% of West Pakistan’s total population in 1951, could only grow to 3.72% by 1998. This 1998 census put the Hindu population in Pakistan at around 2 million, however, it was shown to increase to only 3.5 million in the 2017 census, that is, in almost 20 years. In fact, a comparison between the 2017 and 2023 census figures reveals that the Hindu share of the total population declined from 1.73% to 1.60%. The Christian population in the same period was also shown to have marginally risen from 1.27% to 1.59%. The Sikhs, despite their relentless demands, are not given a separate column for documentation, and are clubbed under the category of ‘others’. Nonetheless, the NADRA (National Database and Registration Authority) shows only 6,146 registered Sikhs in 2021, a gigantic downgrade from their numbers before the partition. In contrast, in India, Muslims, who are the largest minority group, registered a 4.4% increase, from 9.8% of the total population in 1951 to 14.2% in 2011. There are multiple reasons behind Pakistan’s pathetic demographic statistics. However, they can mostly be summed up in two factors- institutional discrimination and blatant impunity or even encouragement to radicalized social elements. Over the years, increased space to radical Islamist parties for political expediency or regional geopolitics has meant that the ‘Islam is in danger’ narrative that was employed to demand Pakistan has been sharpened to vilify ethnic, sectarian, and religious minorities. Attacks on minority places of worship have become routine, amid frequent reports of abductions, forced conversions, lynchings, and open calls for genocide. Among the nearly 4 million Hindus in Pakistan, around 90% live in the Sindh province. According to a report, it is estimated that around 1,000 Pakistani women and girls from religious minority groups between the ages of 12 and 25 are abducted, forcefully converted to Islam, and married to their abductors every year. This criminal practice, called a ‘human-rights catastrophe’ by the report, is most acute in the Sindh province, and although girls from all religious minorities are subjected to this brutality, it is most commonly enacted on Hindu girls. Around 20-25 Hindu girls are estimated to be kidnapped and converted in Sindh every month, which means that their already limited access to education, healthcare, and other public facilities is even more curtailed due to a prevalent fear of abduction. The police and judiciary often exempt the perpetrators who many times enjoy social influence and support for ‘scoring’ a conversion to Islam. Another major weapon that has been widely deployed in Pakistan to persecute minority groups has been the notorious blasphemy law. The blasphemy law, although in existence since colonial times when its purpose was to avert inter-religious conflict, was given an extremely harsh form under the military regime of General Zia-ul-Haq who is known for institutionalizing Islamization in Pakistan. The law has been weaponized to frivolously accuse persons from minority groups, most prominently Christians, spawning a culture of vigilantism, lynchings, glorification of perpetrators, and expulsion of persecuted people from the country. Prominent political figures such as the former governor of Punjab Salman Taseer and former Federal Minister for Minorites Shahbaz Bhatti have been assassinated for opposing the law, and judges who either convict vigilantes or acquit the falsely accused have to flee the country to save their lives. The pervasive misuse of the law is illustrated by the fact that since the 1920s till 1986, only 14 cases of blasphemy had been reported under the law, whereas at least 1,472 people have been charged under the same between 1987 and 2016. Even more disturbingly, at least 70 people have been reportedly murdered over blasphemy accusations since 1990, including the Sri Lankan Christian worker Priyantha Kumara. In addition to this, attacks on minority places of worship are frequent, however, those have never been tried under the blasphemy law in Pakistan. In August 2023, the fundamentalist group Tehreek-e-Labbaik reportedly led attacks in the Jaranwala area of Faisalabad in Punjab and ended up burning 21 churches and hundreds of Christian houses, over an allegation of blasphemy. A month prior to that, the 150-year-old Mari Mata temple of Karachi was destroyed and 2 days later, dacoits attacked a Sindh temple with rocket launchers. The Pakistani state has subjected its religious minorities to structural discrimination in every sphere. From vilifying them in school textbooks, underrepresenting or tokenizing them in government bodies, to systematically promoting their persecution through fundamentalist proxies, it has forced many people from the minorities to seek refuge out of the country. In the words of Pakistan’s former minister and media advisor to the President, Farahnaz Ispahani, the state has been enacting ‘drip-drip genocide’- a form of slow genocide- against its minorities, as it seeks to ‘purify’ Pakistan which literally translates to ‘the land of the pure’. (Author is a senior journalist & columnist. He has authored more than a dozen books)

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Reviving Bharat’s Ancient Heritage: Martand Sun Temple of Jammu and Kashmir

Introduction : Placed amidst the lush landscapes of Jammu Kashmir, Martand Sun Temple[i] stands as a flare of Bharat’s rich cultural heritage and architectural brilliance. Dating back to the 8th century, this ancient temple, originally much larger than other prominent Sun temples like Modhera in Gujarat, Multan in Sindh, and Konark in Orissa, represents a diverse cultural influences and architectural styles. Martand, the Sanskrit word for Surya, the Sun God. The temple is located at an altitude of approximately 5400 feet above sea level and five miles from Anantnag town in the Jammu Kashmir division of the union territory of Jammu and Jammu Kashmir. In this article, we delve into the intricate details of the Martand Sun Temple, exploring its historical significance, architectural features, cultural context, and the ongoing efforts towards its preservation and restoration. Historical Significance: The 1200- years old Martand Sun Temple dedicated to Surya, holds a significant place in Bharat’s architectural and religious history. Constructed under the patronage of Samrat Lalitaditya Muktapida,[ii] the third ruler of the Karkota Dynasty. Situated atop a plateau, the Martand temple offers an expansive vista of the entire Jammu Kashmir Valley. The temple complex spans over 32,000[iii] square feet. Its construction reflects the cultural exchange in ancient Jammu Kashmir, highlighting the region’s rich heritage. The temple’s historical significance is further underscored by its association with Samrat Lalitaditya Muktapida, a revered figure in Jammu Kashmir’s history. Lalitaditya’s contributions to the temple’s construction signify the flourishing of art, culture, and spirituality during his reign. The temple served as a centre of worship and pilgrimage, attracting devotees from far and wide. Architectural Features: The Martand Sun temple is famous for its excellent carvings, the trefoil doors and the elaborate stone columns, which reflect the architectural genius of the ancient Jammu Kashmiri craftsmen. The temple is constructed of Devri stones which may have been transported using elephants. It is believed that elephants were widely used in the region of Jammu Kashmir by the eleventh century. According to several collected works by Kalhana, the layout of the temple includes a central courtyard which houses the main shrine. The main shrine is surrounded by 84 minor temples[iv]. Among the 84 minor temples, 81 temples housed the idols of the Sun God. Three temples had the Shivalingas as well. The total length of the temple is 220 feet and the width is 142 feet. The height of the temple does not exceed 40 feet. The outlined border walls and the pillars around this abode explain the magnificence of the martand sun temple. The central region of the temple is slightly raised. There are distinct wings on each side of the entrance. The outer walls are around 90 yards in length and the front wall is about 56 yards in length. The entire arcade consists of 84 pillars. The number is considered as auspicious by Hindus. The temple is rectangular in shape and made of limestone in the traditional Aryan style. They are 6 to 8 feet in length and are being cemented with grout. The center section of the temple is 36 feet wide and 63 feet long. The sanctuary along with the choir and the nave are 18 sq ft in size[v]. The entrance of the temple is decorated with beautiful carvings of various Hindu Gods and goddesses. It looks as if every element has been carefully arranged and proportioned to create harmony and unity. The vimana, or main shrine, is around 60 feet high and is adorned with many intricately carved and sculpted carvings and statues. The outer walls of the temple are adorned with more than 400 columns which support an intricate roof structure. The strategic orientation of the temple ensures that the Sun’s rays light up the central shrine during the daytime. This architectural innovation highlights the temple’s symbolic significance as a homage to the Sun God Surya and the heavenly order. Cultural Context: The Martand Sun Temple holds immense cultural significance, serving as a site of religious worship, pilgrimage, and artistic expression. It reflects the amalgamated traditions of Jammu Kashmir, where diverse cultural influences combine to create a unique architectural heritage. The temple’s enduring legacy resonates with the spiritual and cultural ethos of the region, transcending chronological boundaries. Despite facing attempts of destruction, notably under the orders of Sikandar Butshikan [vi]to the turmoil of Jammu Kashmir’s terrorism in 1988, the temple’s traces stand as a testament to Jammu Kashmir’s resilience and cultural heritage. The temple complex continues to inspire surprise and appreciation, drawing visitors from across the globe to witness its historical significance. Preservation and Restoration Efforts: In recent years, there has been a rigorous effort to preserve and restore the glory of the Martand Sun Temple, recognising its importance as a cultural and historical landmark. The government of the Union Territory of Jammu and Jammu Kashmir[vii], in collaboration with heritage conservation organizations, has initiated various measures to safeguard the temple complex and ensure its long-term preservation. Alongside this monumental endeavour, a statue honouring Samrat Lalitaditya Muktapida, who oversaw the temple’s construction, is set to grace the premises. These efforts include documentation, structural stabilisation, and conservation of the temple’s architectural elements. Additionally, plans are underway to enhance visitor amenities and promote tourism, thereby nurturing greater appreciation for Jammu Kashmir’s cultural heritage. Conclusion: The Martand Sun Temple is a symbol of Bharat’s rich heritage and architectural excellence, symbolising the spiritual and artistic ambitions of ancient Jammu Kashmir. Established in the eighth century, this architectural wonder is a combination of different cultural influences and styles, representing the diverse tradition of the region. The elaborate carvings of the temple, the trefoil doors, and the elaborate stone pillars all reflect the skill and craftsmanship of the ancient Jammu Kashmiri craftsmen. The temple’s strategic orientation, designed to catch the Sun’s rays, emphasises its symbolic importance as a homage to the Sun God Surya and the cosmic order, even though it has faced many challenges and attempts to destroy it, especially under the orders of  Sikandar Butshikan. Government of

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