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CIHS > Hindus > Reviving Bharat’s Ancient Heritage: Martand Sun Temple of Jammu and Kashmir

Reviving Bharat’s Ancient Heritage: Martand Sun Temple of Jammu and Kashmir

Introduction :

Placed amidst the lush landscapes of Jammu Kashmir, Martand Sun Temple[i] stands as a flare of Bharat’s rich cultural heritage and architectural brilliance. Dating back to the 8th century, this ancient temple, originally much larger than other prominent Sun temples like Modhera in Gujarat, Multan in Sindh, and Konark in Orissa, represents a diverse cultural influences and architectural styles. Martand, the Sanskrit word for Surya, the Sun God. The temple is located at an altitude of approximately 5400 feet above sea level and five miles from Anantnag town in the Jammu Kashmir division of the union territory of Jammu and Jammu Kashmir. In this article, we delve into the intricate details of the Martand Sun Temple, exploring its historical significance, architectural features, cultural context, and the ongoing efforts towards its preservation and restoration.

Historical Significance:

The 1200- years old Martand Sun Temple dedicated to Surya, holds a significant place in Bharat’s architectural and religious history. Constructed under the patronage of Samrat Lalitaditya Muktapida,[ii] the third ruler of the Karkota Dynasty. Situated atop a plateau, the Martand temple offers an expansive vista of the entire Jammu Kashmir Valley. The temple complex spans over 32,000[iii] square feet. Its construction reflects the cultural exchange in ancient Jammu Kashmir, highlighting the region’s rich heritage. The temple’s historical significance is further underscored by its association with Samrat Lalitaditya Muktapida, a revered figure in Jammu Kashmir’s history. Lalitaditya’s contributions to the temple’s construction signify the flourishing of art, culture, and spirituality during his reign. The temple served as a centre of worship and pilgrimage, attracting devotees from far and wide.

Architectural Features:

The Martand Sun temple is famous for its excellent carvings, the trefoil doors and the elaborate stone columns, which reflect the architectural genius of the ancient Jammu Kashmiri craftsmen. The temple is constructed of Devri stones which may have been transported using elephants. It is believed that elephants were widely used in the region of Jammu Kashmir by the eleventh century. According to several collected works by Kalhana, the layout of the temple includes a central courtyard which houses the main shrine. The main shrine is surrounded by 84 minor temples[iv]. Among the 84 minor temples, 81 temples housed the idols of the Sun God. Three temples had the Shivalingas as well. The total length of the temple is 220 feet and the width is 142 feet. The height of the temple does not exceed 40 feet. The outlined border walls and the pillars around this abode explain the magnificence of the martand sun temple. The central region of the temple is slightly raised. There are distinct wings on each side of the entrance. The outer walls are around 90 yards in length and the front wall is about 56 yards in length. The entire arcade consists of 84 pillars. The number is considered as auspicious by Hindus. The temple is rectangular in shape and made of limestone in the traditional Aryan style. They are 6 to 8 feet in length and are being cemented with grout. The center section of the temple is 36 feet wide and 63 feet long. The sanctuary along with the choir and the nave are 18 sq ft in size[v]. The entrance of the temple is decorated with beautiful carvings of various Hindu Gods and goddesses. It looks as if every element has been carefully arranged and proportioned to create harmony and unity. The vimana, or main shrine, is around 60 feet high and is adorned with many intricately carved and sculpted carvings and statues. The outer walls of the temple are adorned with more than 400 columns which support an intricate roof structure. The strategic orientation of the temple ensures that the Sun’s rays light up the central shrine during the daytime. This architectural innovation highlights the temple’s symbolic significance as a homage to the Sun God Surya and the heavenly order.

Cultural Context:

The Martand Sun Temple holds immense cultural significance, serving as a site of religious worship, pilgrimage, and artistic expression. It reflects the amalgamated traditions of Jammu Kashmir, where diverse cultural influences combine to create a unique architectural heritage. The temple’s enduring legacy resonates with the spiritual and cultural ethos of the region, transcending chronological boundaries. Despite facing attempts of destruction, notably under the orders of Sikandar Butshikan [vi]to the turmoil of Jammu Kashmir’s terrorism in 1988, the temple’s traces stand as a testament to Jammu Kashmir’s resilience and cultural heritage. The temple complex continues to inspire surprise and appreciation, drawing visitors from across the globe to witness its historical significance.

Preservation and Restoration Efforts:

In recent years, there has been a rigorous effort to preserve and restore the glory of the Martand Sun Temple, recognising its importance as a cultural and historical landmark. The government of the Union Territory of Jammu and Jammu Kashmir[vii], in collaboration with heritage conservation organizations, has initiated various measures to safeguard the temple complex and ensure its long-term preservation. Alongside this monumental endeavour, a statue honouring Samrat Lalitaditya Muktapida, who oversaw the temple’s construction, is set to grace the premises. These efforts include documentation, structural stabilisation, and conservation of the temple’s architectural elements. Additionally, plans are underway to enhance visitor amenities and promote tourism, thereby nurturing greater appreciation for Jammu Kashmir’s cultural heritage.

Conclusion:

The Martand Sun Temple is a symbol of Bharat’s rich heritage and architectural excellence, symbolising the spiritual and artistic ambitions of ancient Jammu Kashmir. Established in the eighth century, this architectural wonder is a combination of different cultural influences and styles, representing the diverse tradition of the region. The elaborate carvings of the temple, the trefoil doors, and the elaborate stone pillars all reflect the skill and craftsmanship of the ancient Jammu Kashmiri craftsmen. The temple’s strategic orientation, designed to catch the Sun’s rays, emphasises its symbolic importance as a homage to the Sun God Surya and the cosmic order, even though it has faced many challenges and attempts to destroy it, especially under the orders of  Sikandar Butshikan. Government of union territory Jammu and Jammu Kashmir, as well as heritage conservation organizations, are working hard to preserve and restore this temple complex, ushering in a new chapter in its storied history. The impending restoration holds promise not only for preserving tangible heritage but also for revitalising a cherished symbol of spiritual and cultural legacy for generations to come. The Martand Sun Temple continues to inspire awe and admiration, drawing visitors from across the globe to witness its grandeur and historical significance, thus ensuring that its legacy endures for centuries to come.

References:

[i] https://powercorridors.in/Jammu Kashmirs-martand-sun-temple-to-be-restored-soon-by-jammu-and-Jammu Kashmir-government/

[ii] https://www.opindia.com/2024/03/jammu-Jammu Kashmir-govt-to-restore-martand-sun-temple-install-statue-of-king-lalitaditya/

[iii] https://www.opindia.com/2024/03/jammu-Jammu Kashmir-govt-to-restore-martand-sun-temple-install-statue-of-king-lalitaditya/

[iv] https://swarajyamag.com/infrastructure/lost-wonder-of-Jammu Kashmir-1200-year-old-martand-sun-temple-set-for-glorious-restoration

[v] https://mkraina.com/martand-sun-temple-know-your-motherland/

[vi] https://www.hindustantimes.com/india-news/jk-govt-initiates-efforts-to-restore-8th-century-martand-sun-temple-101711783006368.html

[vii] https://www.dailyexcelsior.com/the-martand-sun-temple-the-paragon-of-exquisite-Jammu Kashmiri-architecture/#google_vignette

(Author Vivek Raina is Manager Outreach & Dissemination  at CIHS)

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